top of page
Deana Lenz

Caroline Blackburn

Los Angeles-based ceramic artist, Caroline Blackburn, blends abstract painting, architecture, and nature in her intricate sculptural works, creating unique and evocative pieces.




Caroline Blackburn’s journey as a ceramic artist is deeply rooted in her diverse experiences across fine arts, architecture, and education. Her sculptural pieces are not only a reflection of her expertise in these fields but also a testament to her instinctual, process-driven approach to art. In this interview, Caroline delves into how her background in abstract painting and architecture, combined with a passion for natural forms, informs the intricate details of her work.  As an artist who continues to draw inspiration from the world around her, Caroline’s work is a fusion of texture, form, and alchemy, embodying a timeless beauty that resonates in every piece.




DL: Your sculptural ceramics have a deep connection to abstract painting, architecture, fashion, and nature. How do these diverse influences manifest in your work, and how do you balance them within a single piece? 


CB: They manifest themselves through form, structure, alchemy, and hand painted glazed surface. During the creative making process each piece is carefully considered throughout. Each creative move is deliberate in the construction. Once the piece is ready for glaze the form dictates the glazing methodology. Each work is treated as an object to hold an abstract painting. 




DL: Your work is known for its intricate surfaces, combining texture, layering, color, and materials in unique ways. Can you walk us through your creative process, from concept to the final product?


CB: Each piece is created in the making process. The pot informs me along the way of what it will become. This intuitive process informed by my experience is difficult to articulate. What I know is that this is a trusted way for me to create.




DL: You've worked in both the fine arts and education. How has your experience in educational program design and working with other artists influenced your own practice?


CB: My professional experience afforded me the opportunity to meet many of world's greatest contemporary artists, architects, and taste makers. Humans who are so very talented and have influenced generations of artists. I am grateful for this as I have heard more than 500 artists, architects, critics, writers speak about their work. Each one was very exhilarating and profound. So many ideas and so many amazing unique experiences. 



DL: Are there any aspects of collaborating with interior designers that you particularly enjoy or find inspiring when integrating your ceramic piecesinto designed spaces?


CB: I love seeing how interior designers use and place my work. It is a joy to have so many designers interested in my work.





DL: After decades in the arts, what continues to inspire and drive you in your ceramic practice? Are there any future projects or themes you're excited to explore?


CB: Being an artist is a humbling experience. The freedom and joy that I have is endless.  My soul is on fire to create art. I will be the potter who is making work at 90 years old.




Edited by Michaela Kotob

bottom of page